Lovers’ Roulette

a space to play in the theatre of one's past

it is dark and the angles warp the perception of the space. the use of plastic is liberal and is symbolic of the world. one that is homogeneous and unsustainable. there is a theory about movement in the piece. how light moves on the material, how the camera moves through the space, and how the Lost Man moves between those seeking to pull him deeper in.

The artist’s reflections on his past experiences and general sentiment made genre horror a great medium to play in. as we follow the Lost Man into and through the party it becomes a twisted descent as he attempts to escape.